Narrative perspective in “A Castaway” and “Jenny” elicit a kind of sympathy and pathos through monologues in which the characters ultimately, resignedly give. Human Tigresses, Fractious An- gels, and Nursery Saints: Augusta. Webster’s A Castaway and Vic- torian Discourses on Prostitution and Women’s Sexuality. Because Augusta Webster’s poetry involves explicit cultural critique, For instance, Webster’s dramatic monologue “A Castaway,” written in the voice of a kept.
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How might the use of the dramatic monologue form have altered the way in which the audience responds to this poem? I’ll not think of it. Retrieved from ” https: Why in her view can others not help her? What purpose is served by the speaker’s allusion to her face as appropriate for that of a painting?
Only one week more and ‘twould have ended: How could it be? Irony prevails in many lines of her dramatic justification. But the jest, to think how she would look! And who required it of me? How does she respond to augudta who accuse her of “choosing” prostitution?
Was that the bell? Webster was the first female writer to hold elective office, having been elected to the London School Board in and How has her identity been altered by her sense of aging in Victorian society?
And who would give it me? However, most studies of Webster have tended to be either broad surveys of her publishing career, or closely focused readings of only wwebster select number of poems.
Analysis of “A Castaway” by Augusta Webster and “Jenny” by D. G. Rossetti – Essay Sample
This is one of them. I the thing of shame and rottenness, the animal that feed men’s lusts and prey on them, I, I, who should not dare to take the name of wife on my polluted lips, who in the word hear but my own reviling, I weebster that.
And where’s their profit of those prison years all gone to make them wise in lesson books? They tried it at the Refuge, and I failed: The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper.
The dramatic monologue has often been discussed as an inherently double form that requires readers to engage in sometimes contradictory acts of moral evaluation and emotional identification during the reading process.
What criticism does she make of Victorian wives?
Florence Boos: Study Questions, Augusta Webster, “A Castaway”
Each of the speakers in Portraits explores his or her subjectivity through a process of discursive analysis and interpretation, which parallels the reading process that the structure of the volume encourages. Was this a aaugusta In the discussion which follows, I focus on points of connection among the pairs and groups of poems that constitute Portraitsprecisely because the individual voices which speak in these poems are so strong as to sometimes distract us from the coherent project that Webster offers in this book.
Sonnets —What points are made as the speaker describes her attempts to discipline her child? Traitor to them or traitor to the world: Old — that’s to be nothing, or to be at best a blurred memorial that in better days there was a woman once with such a name. For the world I would not have that flight known.
A Castaway – Poem by Augusta Davies Webster
What temporal relationship does the poem seem to bear to earlier ones? What are the speaker’s views on the extent of her own responsibility for her situation, and are we expected to agree fully?
I know of worse that are called honourable. Why did she come alone, the cackling goose? What is their theme? If they knew what their fine husbands look like seen by eyes that may perceive there are more men than one! How does the speaker face the knowledge that her own daughter must die? The poem opens with her both condescending and wondering analysis of the diary: Not I, forsooth, I must have spirit, must have womanly pride, must dash back his contemptuous wages, I, who had not scorned to earn them, dash them back the fiercer that he dared to count our boy in my appraising: A horizontal rule follows, and the bulk of the poem purports to be the scroll written by Alexius.
But, if they can, let them just take the pains to keep them: Driven by restless desire?
Webster ironically references her own poetic collection as the speaker complains about the draining effects caxtaway social conformity: Why did I read that silly diary? Would they try to ship us to the colonies for wives? What, does the windy dullard think one needs his wisdom dove-tailed on to Solomon’s, his threats out-threatening God’s, to teach the news that those who need not sin have safer souls?